Seeing the Invisible

Category: Books,Arts & Photography,History & Criticism

Seeing the Invisible Details

Review "Michel Henry's work consistently re-imagines the means through which life incarnates or makes manifest to itself the very essence of its being. In Seeing the Invisible Henry extends his philosophy, as material phenomenology, to the aesthetic, reappraising abstract art in terms of affectivity, emotional life and the essential communication that takes place between the community and the artwork at the level of sensibility. Scott Davidson's clear and timely translation provides the reader with both a revolutionary take on twentieth century art and a gateway into the thought of one of the leading French philosophers of the past fifty years." — Dr Michael O'Sullivan, The Chinese University of Hong Kong“Michel Henry's work consistently re-imagines the means through which life incarnates or makes manifest to itself the very essence of its being. In Seeing the Invisible Henry extends his philosophy, as material phenomenology, to the aesthetic, reappraising abstract art in terms of affectivity, emotional life and the essential communication that takes place between the community and the artwork at the level of sensibility. Scott Davidson's clear and timely translation provides the reader with both a revolutionary take on twentieth century art and a gateway into the thought of one of the leading French philosophers of the past fifty years.” – Dr Michael O'Sullivan, The Chinese University of Hong Kong Read more About the Author Michel Henry (1922-2002) was a leading French philosopher and novelist. He was Professor of Philosophy at the University of Montpellier, France and author of five novels and numerous philosophical works.Scott Davidson is Associate Professor and Chair of the Philosophy Department at Oklahoma City University. He is the translator of Michel Henry's works: Material Phenomenology (Fordham, 2008) and Seeing the Invisible (Continuum, 2009). He recently edited a double-issue devoted to Ricoeur in the Journal of French Philosophy. Read more

Reviews

A philosophic discussion -- taking the concept ( Kandinsky ) to its negation, in order to personally re-invent the concept as a belief -- Talking about the 'why?' of art and Kandinsky. Far beyond the appreciations found on the book lists. I had to read the English -- the French version is too expensive and hard to find -- but, it seems a believable translation.

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